Suck in enemies with a chakram throw, blow them apart with a whirling shotgun blast, lift them twenty feet into the air with a spiralling scythe attack and pummel them with sword blows as you fall. With some practice you control a battlefield with improvised carnage, moving enemies around impetuously to set up bigger combos. The moves are fast, and beautiful, and incredibly responsive. It's as subtle as a brick with the word “BRICK” projected onto it. In the soft drink factory, the words “GREED” and “OBESITY” plaster the walls. It's like a Russell Brand rant given form. The surveillance state is run by demons, too – cameras turn into demonic eyeballs when you shift into limbo. Mundus has leveraged bankers' greed to control the world with debt. A popular soft drink infused with demon gunk is keeping the human population docile. The demons represent various real-world ills. The projections sometimes serve as a mouthpiece for DmC's clumsy brand of social commentary. Each ability can be levelled up over the course of the short campaign. Between combos he slowly sheaths his blade and impales enemies with glowing magic swords. Vergil always fights with his samurai sword, Yamato, with an effortless cool that his brother can't quite match. It's definitely worth completing, though, if only to play with his brutal move-set. Don't play Vergil's DLC if you haven't finished the main game, there are pretty major spoilers within.

Dmc devil may cry